


Agecroft Hall is a Tudor manor built in Lancashire that was disassembled, shipped across the Atlantic Ocean to Virginia, and reassembled. It served as a private residence for a bit and is now a museum of 16th century England.
This will definitely be the fanciest place we’ve ever performed, so put on a tie or something and try not to embarrass us.
We’ll be performing Much Ado on the first and third Fridays in June, and Henry V on the second and fourth Fridays. Each performance will have a different cast which means a different creative direction for the story as a whole.
These shows will be ticketed and outdoors, two things we said we’d never do. But the chance to perform at Agecroft was too good of an opportunity to pass up. You can call this our Metallica’s Black Album moment if you want, but you may wanna review the track list for that record before you talk trash.
To buy tickets visit Agecroft’s website
You don’t need to ask our permission or credit us to use anything on this page.
All our cuts run 90 minutes and can be staged with a cast of seven to ten actors.
Information about individual scripts — including dramaturgical notes about how we cut our scripts and what we’ve removed from each play, as well as doubling charts, props, and fights — can be found on the first two pages of each cut.
If you have additional questions about these cuts, email us.
Texts
- Antony and Cleopatra
- Antony y Cleopatra (bilingual en/es)
- As You Like It
- Coriolanus
- Hamlet
- Henry IV (Conflated)
- Henry V
- Julius Caesar
- King John
- King Lear
- Macbeth
- Macbeth (60min)
- Measure for Measure
- A Midsummer Night’s Dream
- Much Ado About Nothing
- Richard II
- Richard III
- Romeo and Juliet
- The Sonnets
- Titus Andronicus
- Twelfth Night
- The Winter’s Tale
Production Resources
Elsewhere Shakespeare is a tiny organization that believes in giving away the art that we make and the tools we use to make it. If that is a meaningful idea to you, consider making a tax-deductible donation to us through Fractured Atlas. The best way to support is with a small-dollar recurring monthly donation.
With an annual budget of less than $1,000, your three-dollar donation makes a much bigger difference to us than it would to a larger organization.
Get in touch
elsewhereshakespeare@gmail.com
Companies:
Backroom Shakespeare Project
The Bridge Ensemble
Cod and Karp
The Container Globe
Incite Shakespeare Company
Junkyard Shakespeare
The Offing Lab
Teatro Socco
Theatre in the Open
The Vanguard
Vicious Mole Theatre Collective
Artistic Associates:
Adam Turck, Andrew Codispoti, Annabel O’Hagan, Brayden Hearn, Danica Jackson, Elizabeth Jay, Hilary Dennis, Jenna Thomas, Jessie Lillis, Kailey Potter, Kati Grace Kirby, Lydia Brendel, Lynii, Maddy Gillespie, Mairi Chanel, Molly McInturff
All three Elsewhere actor-managers have education backgrounds and extensive experience working with students in elementary school through university.
We specialize in the historical context of Shakespeare’s plays as well as rhetoric. We believe the plays most come alive when you look at them how actors and audiences in 1600 would have looked at them. We would love to help you teach any of the plays (or sonnets!) either in a literature or a theatre classroom, or to give a workshop for your actors with monologue and scene work.


























































































